- 1. refers to a style or movement that aims to depict subjects accurately and truthfully, often
emphasizing detail and fidelity to the real world.
- 2. Realists rejected ____________, which had dominated French literature and art since the early 19th century.
It emerged as a reaction to the idealized and stylized representations prevalent in earlier art movements.
- 3. Key characteristics of realism in art:
A, T, O, S, R, I
- 4. was a leading figure in the Realist movement of 19th-century French
art. He is often credited with being one of the pioneers of modern art due to his rejection of traditional
academic standards and his focus on depicting everyday life with honesty and sincerity.
A) Jean-François Millet
B) GUSTAVE COURBET
- 5. was a French painter and one of the key figures of the Barbizon
school, a group of artists who were influential in the development of Realism in art. Millet is
renowned for his depictions of rural life, particularly peasant farmers working the land, which he
portrayed with empathy and dignity.
A) Jean-François Millet
B) GUSTAVE COURBET
- 6. PIONEER/PROMINENT REALISTS:
G, J
- 7. paintings are characterized by their commitment to portraying the world as it is, without
embellishment or idealization. He depicted scenes from rural life, landscapes, and ordinary people
engaged in everyday activities. His paintings often featured bold brushwork and a palette grounded
in earthy tones, contributing to their sense of immediacy and authenticity.
A) GUSTAVE COURBET
B) Jean-François Millet
- 8. paintings often focused on scenes of rural labor, including peasant farmers working in the
fields, harvesting crops, and tending to livestock. He had a deep affinity for the countryside and
sought to capture the rhythms of agricultural life with authenticity and sensitivity.
His contributions to Realism and his enduring impact on the art world have solidified his status as
one of the most important painters of the 19th century. His ability to evoke the beauty and dignity of
rural life continues to resonate with audiences today.
A) GUSTAVE COURBET
B) Jean-François Millet
- 9. was born at the beginning of the 20th century. It is a style of visual art that does not attempt to
represent an accurate depiction of visual reality. Instead, abstract artists use shapes, colors, forms, and
gestural marks to achieve their artistic expression, often emphasizing the non-representational or subjective
aspects of the creative process. Abstract art can vary widely in terms of style, technique, and meaning, but
it is characterized by its departure from recognizable imagery and its focus on elements such as line, color,
and composition.
- 10. Key aspects of abstract art:
N-RI, EOFANC, EOSC, FAE, HC, DSAM
- 11. was a Russian painter and art theorist who is considered one of
the pioneers of abstract art. Born in Moscow, Kandinsky initially pursued a career in law and
economics before turning to art at the age of 30. He studied painting in Munich and later became
associated with the avant-garde art movements of the early 20th century
A) Wassily Kandinsky
B) Piet Mondrian
- 12. Kandinsky had a rare condition called __________, which caused him to perceive colors and shapes
as having inherent musical or emotional qualities. This sensory phenomenon deeply influenced his
approach to painting, as he sought to translate his synesthetic experiences into visual form.
Kandinsky often referred to his paintings as "compositions" and saw parallels between the abstract
nature of music and the potential for abstraction in visual art.
- 13. was a Dutch painter and one of the pioneers of abstract art. He is best
known for his distinctive style of geometric abstract painting, characterized by straight lines, primary
colors, and non-objective forms. Mondrian's work played a significant role in the development of
modern art, particularly the De Stijl movement, which he co-founded.
- 14. a late 19th-century art movement of French and Belgian origin in poetry and other arts
seeking to represent absolute truths symbolically. It refers to the use of symbols, imagery, and allegorical
representations to convey deeper meanings, emotions, or ideas. Artists use symbolism to imbue their works
with layers of interpretation and to communicate concepts that may be difficult to express directly.
It allows artists to communicate complex ideas, emotions, and themes in a visually compelling and thought provoking way, inviting viewers to engage with the deeper layers of meaning in the artwork.
- 15. Fauvism was an early 20th-century art movement that emerged in France around 1904. The term "Fauvism"
is derived from the French word "fauves," meaning "wild beasts," which was coined by art critic _______________ to describe the bold and vivid colors used by the artists associated with the movement.
- 16. was an avant-garde art movement that emerged during World War I in Zurich, Switzerland, and
later spread to other parts of Europe and the United States. It was characterized by its rejection of traditional
artistic conventions and its embrace of irrationality, absurdity, and anti-establishment sentiments
- 17. It was characterized by its celebration of
modernity, technology, speed, and dynamism, as well as its rejection of traditional artistic conventions and
embrace of violence and aggression.
- 18. is an artistic and literary movement that emerged in the early 20th century, particularly in the
aftermath of World War I. It sought to unleash the creative potential of the unconscious mind, exploring
dreams, fantasies, and the irrational aspects of human existence. The movement was heavily influenced by
the psychoanalytic theories of Sigmund Freud and the writings of poets and thinkers like André Breton.
- 19. was an influential art movement that emerged in the early 20th century, pioneered by artists Pablo
Picasso and Georges Braque.
- 20. Common elements of symbolism in art:
OAI, C, A, N, RAMS
- 21. was a Norwegian painter and printmaker, best known for his iconic work "The Scream."
- 22. He is considered a pioneer of Expressionism and a significant figure in the Symbolist
movement. His art often explored themes of love, anxiety, mortality, and the human condition,
with a focus on intense emotions and psychological turmoil.
- 23. created in 1893, is one of the most famous and recognizable paintings in the world.
It depicts a figure standing on a bridge, screaming in anguish against a swirling, distorted sky. The painting has been interpreted as a powerful expression of existential angst and the anxiety of modern
life
- 24. Key characteristics of Fauvism:
VC, SF, EE, FFTT, SM
- 25. was a French artist known for his revolutionary contributions to the world
of modern art, particularly as a painter, draftsman, sculptor, and printmaker. He was one of the
foremost figures of the early 20th-century art movement known as Fauvism and is celebrated for his
use of bold color and expressive forms.
- 26. ) was a French artist known for his significant contributions to Fauvism, a
movement characterized by its bold use of color and simplified forms. Alongside Henri Matisse,
Derain was one of the leading figures of the Fauvist movement in the early 20th century.
- 27. Dadaism was an avant-garde art movement that emerged during ___________ in _______,___________, and
later spread to other parts of Europe and the United States.
_____________; __________,______________
- 28. Key characteristics of Dadaism:
A, AAN, PASC, PAP
- 29. was a German author, poet, and one of the key figures in the Dada
movement. He is perhaps best known as one of the co-founders of the Cabaret Voltaire in Zurich,
Switzerland, which became the birthplace of Dadaism.
- 30. Futurism was an avant-garde art movement that emerged in Italy in the early 20th century, primarily
associated with the Italian poet _______________________.
- 31. Key characteristics of Futurism:
COM, DC, EOMAS, MAD, IIWAV
- 32. as an Italian painter and sculptor, as well as a key figure in the
Futurist movement. He was born in Reggio Calabria, Italy, and later moved to Rome to study
art
- 33. This painting is considered one of Boccioni's masterpieces and a
seminal work of Futurist art. It depicts a construction site in Milan, with laborers working to build a
new skyscraper. The painting captures the energy and chaos of urban life, with dynamic forms and
bold colors conveying a sense of movement and progress
- 34. This sculpture is one of Boccioni's most famous
works and a defining example of Futurist sculpture. It depicts a human figure in motion, its forms
distorted and elongated to convey a sense of speed and dynamism. The sculpture exemplifies
Boccioni's interest in capturing the essence of movement and energy in three-dimensional form.
- 35. This painting depicts a cyclist in motion, with blurred forms and
fragmented shapes conveying a sense of speed and velocity. The painting reflects Boccioni's
fascination with movement and technology, as well as his belief in the transformative power of modern
life.
- 36. was an Italian painter associated with the Futurist movement. He was
born in Turin, Italy, and became known for his innovative exploration of light, movement, and
dynamism in art.
- 37. Key characteristics of Surrealist art include:
A, DI, SAM, AAH, SOR
- 38. was a Spanish Surrealist artist known for his eccentric personality,
distinctive style, and groundbreaking contributions to 20th-century art.
- 39. SALVADOR DALI, Here are some key points about him: SI, TM, SAP
- 40. was an influential art movement that emerged in the early 20th century, pioneered by artists Pablo
Picasso and Georges Braque
- 41. Cubism began around 1907 in Paris, France. Picasso's groundbreaking painting "___________________" (1907) is often considered a precursor to Cubism. The movement gained
momentum in the following years with the collaborative efforts of Picasso and Braque.
- 42. The initial phase of Cubism, known as ________________, emerged around 1908-
1912. During this period, artists analyzed forms and objects, breaking them down into geometric
shapes and reassembling them in abstracted compositions. Color was often limited, and
monochromatic palettes dominated.
- 43. Following Analytical Cubism, ________________ emerged around 1912-1914. In
this phase, artists began incorporating collage elements, such as newspaper clippings, sheet music,
and fabric, into their compositions. This led to the creation of more complex and visually dynamic
artworks
- 44. was one of the most influential artists of the 20th century and is widely
recognized as a co-founder of the Cubist movement. Born in Spain, Picasso showed early talent in
drawing and began formal art training in his youth. He spent much of his adult life in France, where he became associated with avant-garde artistic circles in Paris.
- 45. Jean Francois Millet was a key figure in _______ school, which he was influential in the development of realism in art
- 46. Piet Mondrian best known for his distinctive style of ________________
- 47. Piet Mondrian's work played a significant role in the development of modern Art, particularly the ______________
- 48. De stijl movement also known as __________
- 49. It was a Dutch artistic movement founded in 1917 by the painter Piet Mondrian and the architect _____________
- 50. De Stijl which means "_______________"
- 51. Boccioni was born in _________, ________
- 52. Boccioni played a crucial role in shaping the _________ and ____________ direction of the movement.
- 53. Giacomo Balla was born in ______, _____
- 54. Giacomo Balla became known for his innovative exploration of _________, __________, and ___________ in art. ____, _____, ______
- 55. De Stijl Movement found in ______
- 56. The Scream created in _______
- 57. Fauvism emerged in ______
- 58. In ______, amidst the turmoil of World war I, ball and his partner, Emmy Jennings founded the Cabaret Voltaire
- 59. A venue that served as a meeting place for artists, writers, and intellectuals seeking to challenge traditional artistic convention
- 60. Cubism began around ________ in Paris, France
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