A) The actors determining how to put on their play B) Lovers working out their relationships C) The fairies taking over the land of the mortals D) The king conquering a new land
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Three syllables: first stressed, then two unstressed B) Ten syllables: which make up a line of the play C) Five syllables: alternating stressed and unstressed D) Two syllables: first stressed, then unstressed
A) Bottom B) Mustardseed C) Hippolyta D) Titania E) Hermia
A) Puck B) Hermia C) Hippolyta D) Titania E) Helena
A) Bottom B) Theseus C) Egeus D) Puck E) Oberon
A) Soliloquy B) Genre C) Alliteration D) Conflict E) Oxymoron
A) Soliloquy B) Double Entendre C) Imagery D) Genre E) Alliteration
A) Conflict B) Double Entendre C) Resolution D) Soliloquy E) Alliteration
A) Contrast B) Simile C) Hyperbole D) Metaphor E) Symbol
A) Double Entendre B) Soliloquy C) Simile D) Hyperbole E) Oxymoron
A) Demetrius and Lysander both fall in love with Helena B) Titania gives up the boy to Oberon C) Theseus plans to marry Hippolyta D) Puck distributes the love potion
A) Hermia and Helena get into a big fight B) Bottom turns into a donkey C) Egeus protests his daughter's marriage with Theseus D) The actors put on a play
A) The ladies B) The men C) The fairies D) The actors
A) A character plays a wall separating lovers B) A characters is a rock for someone to sit on C) A character echos sounds effects from the background D) A character pretends to be a tree to provide shade
A) The undefended, who end up marrying he who conquered them B) The fairies, who are disregarded as meaningless and ineffective C) The ladies, who have no power of decision D) The children, who must abide by the decisions of their parents E) The actors, who are at the mercy of their audience |