A) The fairies taking over the land of the mortals B) Lovers working out their relationships C) The king conquering a new land D) The actors determining how to put on their play
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line has five syllables, that alternate between stressed and unstressed
A) Three syllables: first stressed, then two unstressed B) Five syllables: alternating stressed and unstressed C) Ten syllables: which make up a line of the play D) Two syllables: first stressed, then unstressed
A) Titania B) Hermia C) Mustardseed D) Hippolyta E) Bottom
A) Hippolyta B) Hermia C) Helena D) Titania E) Puck
A) Oberon B) Theseus C) Egeus D) Puck E) Bottom
A) Alliteration B) Soliloquy C) Genre D) Oxymoron E) Conflict
A) Soliloquy B) Alliteration C) Double Entendre D) Imagery E) Genre
A) Alliteration B) Resolution C) Double Entendre D) Soliloquy E) Conflict
A) Simile B) Metaphor C) Symbol D) Hyperbole E) Contrast
A) Soliloquy B) Double Entendre C) Oxymoron D) Simile E) Hyperbole
A) Titania gives up the boy to Oberon B) Demetrius and Lysander both fall in love with Helena C) Puck distributes the love potion D) Theseus plans to marry Hippolyta
A) Egeus protests his daughter's marriage with Theseus B) The actors put on a play C) Bottom turns into a donkey D) Hermia and Helena get into a big fight
A) The men B) The fairies C) The ladies D) The actors
A) A character pretends to be a tree to provide shade B) A characters is a rock for someone to sit on C) A character echos sounds effects from the background D) A character plays a wall separating lovers
A) The fairies, who are disregarded as meaningless and ineffective B) The ladies, who have no power of decision C) The children, who must abide by the decisions of their parents D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |