A) Lovers working out their relationships B) The fairies taking over the land of the mortals C) The actors determining how to put on their play D) The king conquering a new land
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Two syllables: first stressed, then unstressed B) Five syllables: alternating stressed and unstressed C) Three syllables: first stressed, then two unstressed D) Ten syllables: which make up a line of the play
A) Mustardseed B) Titania C) Hermia D) Hippolyta E) Bottom
A) Helena B) Puck C) Titania D) Hermia E) Hippolyta
A) Bottom B) Oberon C) Puck D) Egeus E) Theseus
A) Soliloquy B) Conflict C) Genre D) Alliteration E) Oxymoron
A) Double Entendre B) Alliteration C) Imagery D) Genre E) Soliloquy
A) Resolution B) Soliloquy C) Alliteration D) Conflict E) Double Entendre
A) Contrast B) Hyperbole C) Symbol D) Metaphor E) Simile
A) Soliloquy B) Oxymoron C) Double Entendre D) Simile E) Hyperbole
A) Demetrius and Lysander both fall in love with Helena B) Titania gives up the boy to Oberon C) Puck distributes the love potion D) Theseus plans to marry Hippolyta
A) Hermia and Helena get into a big fight B) The actors put on a play C) Egeus protests his daughter's marriage with Theseus D) Bottom turns into a donkey
A) The men B) The ladies C) The fairies D) The actors
A) A character plays a wall separating lovers B) A characters is a rock for someone to sit on C) A character pretends to be a tree to provide shade D) A character echos sounds effects from the background
A) The fairies, who are disregarded as meaningless and ineffective B) The children, who must abide by the decisions of their parents C) The ladies, who have no power of decision D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |