A) The king conquering a new land B) The fairies taking over the land of the mortals C) Lovers working out their relationships D) The actors determining how to put on their play
A) Each line alternates between stressed and unstressed, no matter how many syllables B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has five syllables, that alternate between stressed and unstressed D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Three syllables: first stressed, then two unstressed B) Ten syllables: which make up a line of the play C) Five syllables: alternating stressed and unstressed D) Two syllables: first stressed, then unstressed
A) Mustardseed B) Titania C) Bottom D) Hermia E) Hippolyta
A) Helena B) Titania C) Hippolyta D) Puck E) Hermia
A) Bottom B) Egeus C) Oberon D) Puck E) Theseus
A) Oxymoron B) Alliteration C) Soliloquy D) Conflict E) Genre
A) Alliteration B) Genre C) Double Entendre D) Imagery E) Soliloquy
A) Alliteration B) Soliloquy C) Resolution D) Conflict E) Double Entendre
A) Metaphor B) Hyperbole C) Simile D) Contrast E) Symbol
A) Hyperbole B) Oxymoron C) Simile D) Double Entendre E) Soliloquy
A) Titania gives up the boy to Oberon B) Puck distributes the love potion C) Demetrius and Lysander both fall in love with Helena D) Theseus plans to marry Hippolyta
A) Egeus protests his daughter's marriage with Theseus B) Hermia and Helena get into a big fight C) Bottom turns into a donkey D) The actors put on a play
A) The actors B) The men C) The ladies D) The fairies
A) A character echos sounds effects from the background B) A characters is a rock for someone to sit on C) A character plays a wall separating lovers D) A character pretends to be a tree to provide shade
A) The children, who must abide by the decisions of their parents B) The ladies, who have no power of decision C) The undefended, who end up marrying he who conquered them D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |