A) Petroglyphs are only found indoors.
B) There is no difference; they are the same.
C) Petroglyphs are carved, while paintings are applied.
D) Rock paintings use more modern tools.

A) Igneous rock with lots of crystals.
B) Rock with a dark outer layer and a lighter inner layer.
C) Soft, sedimentary rock.
D) Any smooth rock will work.

A) Metal chisels and hammers.
B) Sandpaper and files.
C) Acid etching tools.
D) Hammerstone and chisel-like stone.

A) Sedimentation.
B) Metamorphosis.
C) Polishing.
D) Pecking or abrading.

A) Synthetic dyes.
B) Plant sap.
C) Iron oxides (ochre).
D) Modern acrylic paint.

A) Petroleum-based solvents.
B) Water-based glue.
C) Animal fat or plant resins.
D) Super glue.

A) To adhere the pigment to the rock surface.
B) To make the pigment easier to find.
C) To change the color of the pigment.
D) To dissolve the rock.

A) Spray cans.
B) Sponge applicators.
C) Fibers from plants or animal hair.
D) Nylon brushes.

A) Sandblast the surface.
B) Apply a layer of primer.
C) Soak the rock in water.
D) Clean the surface to remove loose dirt and debris.

A) Animals.
B) Geometric shapes.
C) Human figures.
D) Detailed portraits of historical figures.

A) A type of sedimentary rock.
B) A written language.
C) A type of petroglyph.
D) A rock painting.

A) Acid rain and weathering.
B) Overpopulation of rabbits.
C) Excessive sunlight.
D) The use of advanced cleaning methods.

A) To preserve a record of the art before it deteriorates.
B) To encourage graffiti artists.
C) Documentation isn't important.
D) To sell the documentation for profit.

A) Cutting out sections of the rock.
B) Applying varnish to the surface.
C) Photography and digital scanning.
D) Taking rubbings with charcoal.

A) A specific style of rock art.
B) The natural weathering or coating on the rock surface.
C) A type of paint used in rock paintings.
D) A tool used for carving petroglyphs.

A) Both petroglyphs and rock paintings equally.
B) Rock paintings.
C) Petroglyphs.
D) Neither.

A) How much foot traffic the area receives.
B) How easy it is to access with a car.
C) Proximity to a shopping mall.
D) Cultural significance and availability of appropriate rock.

A) Running out of pigments.
B) Not having enough rocks.
C) None, art is always good.
D) Disrespecting existing cultural heritage sites.

A) Import materials from around the world.
B) Use natural, locally sourced materials.
C) Clear a large area around the art.
D) Use power tools for faster results.

A) Having animal-like characteristics.
B) Being geometric in design.
C) Having human-like characteristics.
D) Relating to the study of rocks.

A) Being geometric in design.
B) Having animal-like characteristics.
C) Having human-like characteristics.
D) Relating to the study of rocks.

A) At night with a flash.
B) Early morning or late afternoon for softer light.
C) Whenever it's most convenient.
D) Midday when the sun is directly overhead.

A) Touching it is bad luck.
B) Oils from skin can damage the surface and promote growth of organisms.
C) The rock will crumble immediately.
D) It might be booby trapped.

A) Spirals and geometric patterns.
B) Images of skyscrapers.
C) Photorealistic portraits.
D) Comic book characters.

A) Crushed minerals.
B) Clay.
C) Charcoal.
D) Modern industrial paints with heavy metals.

A) Apply a layer of plastic sealant.
B) Leave it exposed to the elements to 'age' faster.
C) Build a glass case around it.
D) Choose a sheltered location and use durable materials.

A) A tool used to polish petroglyphs.
B) A small, circular depression pecked into a rock surface.
C) A type of paint made from berries.
D) A large, flat rock used as a canvas.

A) Ignore the regulations and hope for the best.
B) Ask a random stranger on the street.
C) Assume there are no regulations.
D) Contact local cultural heritage authorities or land managers.

A) The rock will become cursed.
B) It can be considered vandalism and damage the original art.
C) It will attract unwanted attention from aliens.
D) There is no danger, it adds to the history.

A) It's not important, just make whatever you like.
B) To avoid misrepresentation or cultural appropriation.
C) So you can copy someone else's art.
D) Symbols have no real meaning.