A) Mixing paints B) Sketching the composition C) Choosing brushes D) Applying gesso
A) Soft, round brush B) Filbert brush C) Fan brush D) Stiff, angular brush
A) Linseed oil B) Turpentine C) Damar varnish D) Stand oil
A) Each layer should be darker than the previous B) Each layer should have more oil than the previous C) Each layer should dry faster than the previous D) Each layer should be thinner than the previous
A) Green B) Yellow C) Blue D) Red
A) Applying paint thickly B) Blending two colors together C) Applying a broken layer of paint D) Removing paint with a cloth
A) Applying paint thickly B) Blending two colors together C) Applying paint thinly D) Removing paint with a cloth
A) To protect the canvas B) To hold the brushes C) To mix paints D) To help compose the scene
A) Objects fade into the distance B) Objects are more detailed in the distance C) Objects have sharper edges in the distance D) Objects appear brighter in the distance
A) Blue B) Violet C) Green D) Orange
A) Stretching canvas B) Mixing and applying paint C) Thinning paint D) Cleaning brushes
A) A thick, opaque layer of paint B) A mixture of paint and varnish C) A layer of gesso D) A thin, transparent layer of paint
A) Water and soap B) Acetone C) Bleach D) Turpentine or mineral spirits
A) To protect the painting from UV light B) To add color to the canvas C) To prepare the surface for painting D) To create texture
A) The color of the shadows on an object B) The actual color of an object C) The color of light reflecting off an object D) The color created by mixing two colors
A) Wet-on-wet painting B) Painting in layers C) Painting from a photograph D) Painting with a palette knife
A) Blue B) Orange C) Green D) Yellow
A) To create a more realistic painting B) To create color harmony C) To speed up the painting process D) To save money on paint
A) Burned B) Soaked in water and sealed in a metal container C) In the regular trash D) Recycled
A) To add texture to the canvas B) To create a more realistic painting C) To alter the properties of the paint D) To protect the painting from UV light
A) A monochrome underpainting B) A full-color underpainting C) A textured underpainting D) A transparent underpainting
A) Umbers B) Yellows C) Reds D) Blues
A) Faster drying time B) Greater color intensity C) Lower cost D) Easier to blend
A) Speeds up the drying time of oil paint B) Slows down the drying time of oil paint C) Thickens the oil paint D) Thins the oil paint
A) The use of perspective lines to create depth. B) The technique of painting clouds. C) The effect of atmosphere on distant objects. D) The perspective of objects seen from above.
A) Applying a thick layer of varnish. B) Varnishing in direct sunlight. C) Ensuring the paint is completely dry. D) Using the correct type of brush.
A) To paint the subject quickly B) To paint the subject from memory C) To paint the subject in a very detailed manner D) To paint the subject at its actual size
A) The saturation of a color. B) The hue of a color. C) The lightness or darkness of a color. D) The intensity of a color.
A) The trees B) The sky C) The water D) The foreground
A) A thick, impasto layer of paint. B) A technique for cleaning brushes. C) A layer of varnish. D) A very thin, diluted layer of paint. |