A) Lighting design
B) The inner life of the actor
C) Costume selection
D) Stage direction

A) The setting of the play
B) The director's vision
C) The character's overall goal
D) The actor's personal goal

A) Method acting
B) Lee Strasberg's approach
C) Meisner technique
D) System of acting

A) Establishing setting
B) Creating conflicts
C) Driving the action
D) Designing costumes

A) Director's notes
B) Stage movement
C) Actor's biography
D) Underlying meaning of dialogue

A) Stanislavski's own experiences
B) Shakespeare's plays
C) Historical figures
D) Real-life celebrities

A) Rigid structure
B) Learning lines
C) Costume fittings
D) Exploration and experimentation

A) To outline stage directions
B) To create depth for the character
C) To describe costume choices
D) To write the script