A) To select and arrange artworks for display
B) To dictate how the audience should interpret the artwork
C) To create hidden compartments for art pieces
D) To disassemble the artworks after display

A) To cast shadows and obscure the artwork
B) To make it difficult for viewers to appreciate the art
C) To reduce the worth of the artwork
D) To enhance the visibility and atmosphere of the artwork

A) To distract viewers from the art
B) To make the space look smaller
C) To provide a neutral backdrop that enhances the artworks
D) To prevent viewers from getting close to the art

A) To restrict any interaction with the artworks
B) To create a barrier between the art and the viewers
C) To engage the audience and make them active participants
D) To intimidate the audience

A) To hide the artworks from the public
B) To create immersive and dynamic experiences for viewers
C) To make the art less appealing
D) To limit the audience's access to art

A) To diminish the significance of the artwork
B) To deter viewers from engaging with the art
C) To confuse viewers about the artwork's meaning
D) To create a sense of drama, impact, or intimacy

A) To mislead viewers about the artwork
B) To provide context, explanation, or provoke thought
C) To cover up the artwork
D) To prevent viewers from reading about the art

A) By creating dialogue and interactions with the surroundings
B) By positioning the artworks randomly within the space
C) By blocking the architecture from view
D) By ignoring the architecture completely

A) To alienate viewers from nature
B) To introduce organic beauty and connect with the environment
C) To overpower the artworks
D) To pollute the exhibition space

A) By breaking down boundaries and exploring new forms of expression and experience
B) By conforming to outdated methods of display
C) By limiting the viewers' understanding of the artwork
D) By banning access to the art