A) To disassemble the artworks after display
B) To select and arrange artworks for display
C) To dictate how the audience should interpret the artwork
D) To create hidden compartments for art pieces

A) To cast shadows and obscure the artwork
B) To reduce the worth of the artwork
C) To make it difficult for viewers to appreciate the art
D) To enhance the visibility and atmosphere of the artwork

A) To make the space look smaller
B) To distract viewers from the art
C) To prevent viewers from getting close to the art
D) To provide a neutral backdrop that enhances the artworks

A) To intimidate the audience
B) To restrict any interaction with the artworks
C) To engage the audience and make them active participants
D) To create a barrier between the art and the viewers

A) To make the art less appealing
B) To limit the audience's access to art
C) To hide the artworks from the public
D) To create immersive and dynamic experiences for viewers

A) To create a sense of drama, impact, or intimacy
B) To deter viewers from engaging with the art
C) To diminish the significance of the artwork
D) To confuse viewers about the artwork's meaning

A) To mislead viewers about the artwork
B) To prevent viewers from reading about the art
C) To cover up the artwork
D) To provide context, explanation, or provoke thought

A) By ignoring the architecture completely
B) By positioning the artworks randomly within the space
C) By creating dialogue and interactions with the surroundings
D) By blocking the architecture from view

A) To alienate viewers from nature
B) To overpower the artworks
C) To introduce organic beauty and connect with the environment
D) To pollute the exhibition space

A) By limiting the viewers' understanding of the artwork
B) By conforming to outdated methods of display
C) By banning access to the art
D) By breaking down boundaries and exploring new forms of expression and experience