A) rhymes B) themes C) symbols D) literary devices
A) the weakness of black woman in the face of adversity B) the remembrance of forgotten African heroes C) the beauty of African landscape D) The celebration of cultural heritage and African identity
A) carved tom tom, taut tom tom B) solemn contralto voice C) I sing your beauty D) my promised land
A) confident and arrogant B) playful and lighthearted C) worshipful and dismissive D) proud and admiring
A) by contrasting their beauty with that of woman from another culture B) by describing their physical features in explicit detail C) by revealing their past achievements D) by comparing them to natural elements and symbols of African culture
A) synecdoche B) metonymy C) personification D) climax
A) John Donne B) Chibuike Onu C) Leopold Senghor D) Maya Angelou
A) The power of time B) joy of retirement C) The oppression of woman D) The importance of song
A) Africa B) Nairobi C) England D) Europe
A) continuation B) symbolism C) run - on - lines D) rhetorical question
A) flashback B) symbolism C) imagery D) epilogue
A) two rhyming lines of Poetry B) five alternate rhyming lines C) four rhyming lines of Poetry D) five rhyming lines of Poetry
A) Blackness as a subject of beauty B) Rejection of European C) Racism D) African land
A) theme B) setting C) tone D) plot
A) mood B) tone C) setting D) diction
A) disgust B) pessimism C) dissatisfaction D) ambivalence
A) Omar Farouk Sesay B) John Donne C) Niyi Osundare D) Agustino Neto
A) Black Woman B) A Taxi Driver on His own Retirement C) The Grieved Lands of Africa D) None of the above
A) The Song of the Woman of my Land and B) None of the above C) The Good Morrow D) A Government Driver on His own Retirement
A) Government Driver on His own Retirement B) A and B C) Neither A nor B D) Raider of the Treasure Trove
A) limitation B) music as a channel for emotional discharge, action and freedom C) growth and maturity D) live is evil
A) Binsey Poplars B) Bat C) Caged bird D) Good Morrow
A) simile B) pun C) alliteration D) bathos
A) Hope in adversity B) The problem of leadership in Africa C) Slavery :ancient and modern D) Africa as land of grieve
A) Rabbit B) Lion C) Tortoise D) Elephant
A) Modern city life B) Technology C) Animal characters D) Outer space
A) anxiety B) horror C) laughter D) suspense
A) peak B) resolution C) climax D) epic
A) genre B) group C) toning D) placement
A) reformation B) abuse C) stigmatization D) criticism
A) . pastoral B) fiction C) imagery D) epic
A) setting B) plot C) direction D) preface
A) a dramatist B) Wole Soyinka C) stage man D) a stage writer
A) taught B) mimed C) danced D) read aloud
A) They are broadcasted on radio and television B) They are performed as plays in threater C) They are passed down through generations by word of mouth D) They are only written and never spoken
A) The benefits of technology and modernization B) The importance of bravery and courage C) The value of hard work and preserverance
A) preponderance of figures of speech B) plot and setting C) evocation of feeling and imagination D) suspence
A) ballad B) ode C) elegy D) dirge
A) tragedy B) epigram C) pantomime D) burlesque
A) wise and helpful B) aggressive and dangerous C) cunning and deceitful D) Animals are never portrayed in African
A) A story with magical elements B) A story written by a famous African author C) A story set in Africa D) A story passed down verbally from one generation to another teaching morals and cultural beliefs
A) scene B) act C) playlet D) drama
A) mood B) beauty C) structure D) scenery
A) songs B) dances C) pantomimes D) mimes
A) anaphora B) autobiography C) personification D) narration
A) feminine antagonist B) maverick C) heroine D) Chief character
A) soliloquy B) prologue C) epilogue D) closing remarks
A) run - on B) iambic C) blank verse D) free verse
A) verification B) rhyming scheme C) rhythm formation D) stanzas
A) edit B) poetry C) anthology D) amalgam |