A) rhymes B) literary devices C) themes D) symbols
A) The celebration of cultural heritage and African identity B) the remembrance of forgotten African heroes C) the beauty of African landscape D) the weakness of black woman in the face of adversity
A) my promised land B) I sing your beauty C) carved tom tom, taut tom tom D) solemn contralto voice
A) worshipful and dismissive B) proud and admiring C) confident and arrogant D) playful and lighthearted
A) by describing their physical features in explicit detail B) by revealing their past achievements C) by comparing them to natural elements and symbols of African culture D) by contrasting their beauty with that of woman from another culture
A) synecdoche B) metonymy C) climax D) personification
A) Maya Angelou B) Leopold Senghor C) John Donne D) Chibuike Onu
A) joy of retirement B) The power of time C) The importance of song D) The oppression of woman
A) Europe B) Africa C) England D) Nairobi
A) rhetorical question B) run - on - lines C) symbolism D) continuation
A) epilogue B) imagery C) flashback D) symbolism
A) two rhyming lines of Poetry B) five rhyming lines of Poetry C) five alternate rhyming lines D) four rhyming lines of Poetry
A) Rejection of European B) African land C) Blackness as a subject of beauty D) Racism
A) plot B) tone C) theme D) setting
A) setting B) tone C) mood D) diction
A) disgust B) pessimism C) dissatisfaction D) ambivalence
A) Niyi Osundare B) Omar Farouk Sesay C) John Donne D) Agustino Neto
A) None of the above B) The Grieved Lands of Africa C) Black Woman D) A Taxi Driver on His own Retirement
A) A Government Driver on His own Retirement B) None of the above C) The Song of the Woman of my Land and D) The Good Morrow
A) Government Driver on His own Retirement B) Neither A nor B C) Raider of the Treasure Trove D) A and B
A) limitation B) music as a channel for emotional discharge, action and freedom C) live is evil D) growth and maturity
A) Binsey Poplars B) Good Morrow C) Caged bird D) Bat
A) pun B) simile C) bathos D) alliteration
A) The problem of leadership in Africa B) Africa as land of grieve C) Slavery :ancient and modern D) Hope in adversity
A) Rabbit B) Tortoise C) Elephant D) Lion
A) Animal characters B) Modern city life C) Technology D) Outer space
A) suspense B) laughter C) anxiety D) horror
A) epic B) peak C) climax D) resolution
A) placement B) toning C) group D) genre
A) reformation B) abuse C) criticism D) stigmatization
A) imagery B) epic C) . pastoral D) fiction
A) plot B) setting C) direction D) preface
A) Wole Soyinka B) a dramatist C) stage man D) a stage writer
A) danced B) taught C) read aloud D) mimed
A) They are broadcasted on radio and television B) They are performed as plays in threater C) They are only written and never spoken D) They are passed down through generations by word of mouth
A) The value of hard work and preserverance B) The importance of bravery and courage C) The benefits of technology and modernization
A) evocation of feeling and imagination B) preponderance of figures of speech C) suspence D) plot and setting
A) ballad B) dirge C) elegy D) ode
A) tragedy B) burlesque C) pantomime D) epigram
A) Animals are never portrayed in African B) aggressive and dangerous C) wise and helpful D) cunning and deceitful
A) A story with magical elements B) A story set in Africa C) A story passed down verbally from one generation to another teaching morals and cultural beliefs D) A story written by a famous African author
A) drama B) scene C) act D) playlet
A) beauty B) scenery C) mood D) structure
A) songs B) pantomimes C) dances D) mimes
A) autobiography B) personification C) narration D) anaphora
A) heroine B) feminine antagonist C) Chief character D) maverick
A) closing remarks B) soliloquy C) prologue D) epilogue
A) free verse B) iambic C) blank verse D) run - on
A) verification B) rhyming scheme C) rhythm formation D) stanzas
A) amalgam B) poetry C) anthology D) edit |