A) The fairies taking over the land of the mortals B) The actors determining how to put on their play C) Lovers working out their relationships D) The king conquering a new land
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line has five syllables, that alternate between stressed and unstressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Two syllables: first stressed, then unstressed B) Three syllables: first stressed, then two unstressed C) Ten syllables: which make up a line of the play D) Five syllables: alternating stressed and unstressed
A) Titania B) Hippolyta C) Hermia D) Bottom E) Mustardseed
A) Titania B) Hermia C) Hippolyta D) Puck E) Helena
A) Oberon B) Theseus C) Puck D) Egeus E) Bottom
A) Genre B) Conflict C) Oxymoron D) Alliteration E) Soliloquy
A) Soliloquy B) Alliteration C) Double Entendre D) Imagery E) Genre
A) Alliteration B) Resolution C) Conflict D) Double Entendre E) Soliloquy
A) Contrast B) Hyperbole C) Simile D) Symbol E) Metaphor
A) Double Entendre B) Hyperbole C) Oxymoron D) Simile E) Soliloquy
A) Theseus plans to marry Hippolyta B) Puck distributes the love potion C) Demetrius and Lysander both fall in love with Helena D) Titania gives up the boy to Oberon
A) Hermia and Helena get into a big fight B) Egeus protests his daughter's marriage with Theseus C) Bottom turns into a donkey D) The actors put on a play
A) The fairies B) The actors C) The men D) The ladies
A) A characters is a rock for someone to sit on B) A character echos sounds effects from the background C) A character pretends to be a tree to provide shade D) A character plays a wall separating lovers
A) The undefended, who end up marrying he who conquered them B) The ladies, who have no power of decision C) The children, who must abide by the decisions of their parents D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |