A) Researching different circus companies and roles. B) Immediately buying juggling equipment. C) Moving to a circus hotspot without a plan. D) Sending unsolicited audition tapes.
A) Physical Fitness B) Advanced Calculus C) Clowning D) Acrobatics
A) Joining a local circus school or training program. B) Becoming a taxidermist. C) Collecting rare stamps. D) Writing a strongly worded letter to the mayor.
A) Consistent physical conditioning and injury prevention. B) Ignoring pain and pushing through injuries. C) Relying solely on natural talent. D) Avoiding stretching and warm-ups.
A) Sending a handwritten letter. B) Showing up unannounced at a performance. C) Posting blurry cell phone videos online. D) Creating a professional quality demo reel or portfolio.
A) It involves bribing circus officials. B) It's irrelevant, as talent speaks for itself. C) It's only for managers and directors. D) It's essential for finding opportunities and building relationships.
A) Your social security number. B) A list of your favorite movies. C) Your high school GPA. D) Relevant skills, training, and performance experience.
A) To demonstrate your skills and suitability for a role. B) To get free tickets to the show. C) To critique the current performers. D) To sabotage the competition.
A) Actuary B) Rigger C) Software Engineer D) Dental Hygienist
A) Argue with the judges about their assessment. B) Ignore it completely. C) Write a scathing review of the circus. D) Take it constructively and use it to improve.
A) A request for money. B) A second audition, indicating strong initial interest. C) A threat of legal action. D) A rejection notice.
A) Physical flexibility is unimportant. B) You must be able to bend over backwards to please everyone. C) Circus work often involves travel and adapting to new environments. D) Circus schedules are always rigid and predictable.
A) Papercuts B) Falls C) Boredom D) Sunburn
A) Pet insurance B) Travel insurance for travel to the moon C) Car insurance D) Health and accident insurance.
A) To clean up after the elephants. B) To represent performers and negotiate contracts. C) To sell popcorn at the show. D) To write the circus's social media posts.
A) A list of the performer's favorite snacks. B) A map of the circus grounds. C) A document specifying the technical requirements for a performance. D) A description of the performer's costume.
A) Teamwork only matters for animal handlers. B) Teamwork is just a management buzzword. C) Many acts require collaboration and trust among performers. D) Circus performers are all solitary and independent.
A) To train the animals. B) To design the costumes. C) To coordinate the technical aspects of a performance. D) To write the music for the show.
A) Shining a spotlight on the performer. B) Identifying potential audience members. C) Providing physical support to prevent falls. D) Cleaning the stage.
A) The name of the circus's accounting department. B) A large hat worn by the ringmaster. C) A secret code used by circus performers. D) The main tent where the circus performs.
A) The void. B) The lot. C) The attic D) The dungeon
A) Ignore it and hope it goes away. B) Report it immediately to the appropriate authorities. C) Take a picture and post it on social media. D) Try to fix it yourself without proper training.
A) To avoid annoying the stage manager. B) To ensure safety and prevent accidents. C) Because it's fun. D) To make it look shiny.
A) Circuses are culturally homogenous and don't require sensitivity. B) Ignoring other cultures is a circus tradition. C) Cultural sensitivity is only important for clowns. D) Circuses often travel internationally and interact with diverse audiences.
A) Liability clauses. B) How many ice cream scoops the artist gets per day. C) A clause requiring the artist to wear silly hats at all times. D) Which animals the artist likes most.
A) Complete lack of any narrative structure. B) Exclusively showcasing animal acts. C) Theatrical storytelling. D) Use of only pre-1900s technology.
A) Throw something at the heckler. B) Cry. C) Engage in a shouting match with the heckler. D) Ignore it or handle it with humor and professionalism.
A) Drinking large amounts of alcohol. B) Practice and mental preparation techniques. C) Pretending the audience is made of vegetables. D) Hiding backstage until the show is over.
A) Improvise gracefully and try to get back on track. B) Panic and run off stage. C) Start reciting the alphabet backwards. D) Blame someone else for the mistake.
A) Silently sabotage the unsafe practices. B) Raise your concerns with management before accepting the position. C) File a lawsuit immediately, even without evidence. D) Ignore your concerns and hope for the best. |