A) To provide a blueprint for filming a movie. B) To be a character study. C) To outline the plot of a novel. D) To be a finished literary work in itself.
A) Action Line B) Character Cue C) Scene Heading D) Dialogue Tag
A) Int. Coffee Shop. Day. B) INT. COFFEE SHOP - DAY C) INT/EXT. Coffee Shop - Day D) Coffee Shop. Inside. Day.
A) Visual Overlay B) Video Only C) Voice Over D) Verbal Observation
A) A minor plot point. B) The climax of the film. C) The event that sets the plot in motion. D) The resolution of the conflict.
A) A camera angle instruction. B) A detailed script analysis. C) A list of characters. D) A brief summary of the story.
A) A type of scene transition. B) A unit of dialogue length. C) A musical cue. D) A pause or moment of silence.
A) Background information about the story. B) A character's emotional breakdown. C) A complex action sequence. D) The final scene of the film.
A) Driving the plot forward. B) Boring the audience. C) Making characters static. D) Creating a peaceful atmosphere.
A) A dream sequence. B) A series of short scenes depicting a process or passage of time. C) A flashback to a character's past. D) A single, extended action sequence.
A) Times New Roman 12pt B) Courier 12pt C) Arial 11pt D) Helvetica 14pt
A) To make characters predictable. B) To confuse the audience. C) To have flat and uninteresting characters. D) To make characters believable and relatable.
A) The color scheme of the film. B) The underlying message or idea of the story. C) A character's catchphrase. D) A specific type of music used in the film.
A) To eliminate all creativity. B) To structure the story and plan the scenes. C) To avoid writing any dialogue. D) To ensure the script is exactly like another film.
A) On Stage B) Out of Sight C) Original Sound D) Off Screen
A) Dialogue B) Camera angles (unless crucial) C) Scene descriptions D) Character actions
A) A short promotional clip for the film. B) A revised draft of the screenplay. C) A legal document granting rights to the screenplay. D) A detailed summary of the screenplay.
A) The speed at which the story unfolds. B) The location of the film set. C) The director's personal style. D) The rhythm of the dialogue.
A) A phone call from the director. B) Referring back to an earlier event or line. C) When an actor forgets their lines. D) A type of camera shot.
A) To complicate the plot further. B) To resolve the central conflict. C) To leave the audience confused. D) To introduce new characters.
A) A type of special effect. B) An object or goal that drives the plot but is ultimately unimportant. C) A scene that is cut from the final film. D) The main character's name.
A) A disagreement over payment. B) A physical fight between characters. C) A struggle within a character's mind. D) A conflict between two studios.
A) The villain. B) A minor character. C) The main character. D) The director of photography.
A) Extreme Close Up B) End Credits Up C) Exterior Cutaway Unit D) Executive Creative Unit
A) The moral of the story. B) The setting of the story. C) The perspective from which the story is told. D) The length of the screenplay.
A) A type of special effect involving smoke. B) A minor character who has a red wig. C) A misleading clue or distraction. D) A flashback sequence.
A) To improve the script. B) To make the script worse. C) To make the script longer. D) To simply retype the script.
A) The writer of the screenplay. B) The protagonist's best friend. C) The character who opposes the protagonist. D) A neutral character.
A) A method of improvising dialogue. B) A screenplay formatting software. C) A type of camera lens. D) The arrangement of elements within a scene.
A) Casting actors. B) Composing visually appealing shots. C) Outlining a screenplay. D) Writing dialogue. |