A) Costume selection
B) The inner life of the actor
C) Stage direction
D) Lighting design

A) The character's overall goal
B) The director's vision
C) The actor's personal goal
D) The setting of the play

A) Meisner technique
B) Lee Strasberg's approach
C) System of acting
D) Method acting

A) Establishing setting
B) Creating conflicts
C) Driving the action
D) Designing costumes

A) Actor's biography
B) Underlying meaning of dialogue
C) Stage movement
D) Director's notes

A) Shakespeare's plays
B) Real-life celebrities
C) Stanislavski's own experiences
D) Historical figures

A) Exploration and experimentation
B) Learning lines
C) Costume fittings
D) Rigid structure

A) To describe costume choices
B) To outline stage directions
C) To write the script
D) To create depth for the character