A) To create hidden compartments for art pieces
B) To disassemble the artworks after display
C) To dictate how the audience should interpret the artwork
D) To select and arrange artworks for display

A) To cast shadows and obscure the artwork
B) To make it difficult for viewers to appreciate the art
C) To enhance the visibility and atmosphere of the artwork
D) To reduce the worth of the artwork

A) To provide a neutral backdrop that enhances the artworks
B) To prevent viewers from getting close to the art
C) To make the space look smaller
D) To distract viewers from the art

A) To intimidate the audience
B) To restrict any interaction with the artworks
C) To engage the audience and make them active participants
D) To create a barrier between the art and the viewers

A) To make the art less appealing
B) To limit the audience's access to art
C) To create immersive and dynamic experiences for viewers
D) To hide the artworks from the public

A) To diminish the significance of the artwork
B) To create a sense of drama, impact, or intimacy
C) To confuse viewers about the artwork's meaning
D) To deter viewers from engaging with the art

A) To prevent viewers from reading about the art
B) To provide context, explanation, or provoke thought
C) To mislead viewers about the artwork
D) To cover up the artwork

A) By positioning the artworks randomly within the space
B) By creating dialogue and interactions with the surroundings
C) By blocking the architecture from view
D) By ignoring the architecture completely

A) To alienate viewers from nature
B) To introduce organic beauty and connect with the environment
C) To pollute the exhibition space
D) To overpower the artworks

A) By banning access to the art
B) By breaking down boundaries and exploring new forms of expression and experience
C) By conforming to outdated methods of display
D) By limiting the viewers' understanding of the artwork