A) To select and arrange artworks for display
B) To create hidden compartments for art pieces
C) To disassemble the artworks after display
D) To dictate how the audience should interpret the artwork

A) To make it difficult for viewers to appreciate the art
B) To reduce the worth of the artwork
C) To enhance the visibility and atmosphere of the artwork
D) To cast shadows and obscure the artwork

A) To distract viewers from the art
B) To make the space look smaller
C) To provide a neutral backdrop that enhances the artworks
D) To prevent viewers from getting close to the art

A) To restrict any interaction with the artworks
B) To create a barrier between the art and the viewers
C) To engage the audience and make them active participants
D) To intimidate the audience

A) To make the art less appealing
B) To hide the artworks from the public
C) To limit the audience's access to art
D) To create immersive and dynamic experiences for viewers

A) To confuse viewers about the artwork's meaning
B) To deter viewers from engaging with the art
C) To diminish the significance of the artwork
D) To create a sense of drama, impact, or intimacy

A) To prevent viewers from reading about the art
B) To cover up the artwork
C) To mislead viewers about the artwork
D) To provide context, explanation, or provoke thought

A) By creating dialogue and interactions with the surroundings
B) By ignoring the architecture completely
C) By blocking the architecture from view
D) By positioning the artworks randomly within the space

A) To overpower the artworks
B) To pollute the exhibition space
C) To alienate viewers from nature
D) To introduce organic beauty and connect with the environment

A) By conforming to outdated methods of display
B) By banning access to the art
C) By breaking down boundaries and exploring new forms of expression and experience
D) By limiting the viewers' understanding of the artwork