A) 1971 B) 1959 C) 1984 D) 1967
A) Guy Debord B) Herbert Marcuse C) Jean Baudrillard D) Marshall McLuhan
A) A social relationship mediated by images. B) A form of mass entertainment. C) A visual performance art. D) A type of advertising.
A) Advancements in technology. B) Increased political protests. C) Cultural revitalization. D) The commodification of social life.
A) Enhanced social connections. B) Increased political awareness. C) Greater community engagement. D) Alienation from authentic experiences.
A) As an unbiased informer. B) As a means for liberation. C) As a catalyst for action. D) As a tool for maintaining the spectacle.
A) Marxism. B) Structuralism. C) Existentialism. D) Postmodernism.
A) It is fully expressed and celebrated. B) It is the primary form of activism. C) It is subordinated to collective images. D) It leads to revolutionary change.
A) By embracing consumer culture. B) Through critical engagement and social struggle. C) By avoiding technology. D) By promoting celebrity culture. |