A) The king conquering a new land B) The fairies taking over the land of the mortals C) Lovers working out their relationships D) The actors determining how to put on their play
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has five syllables, that alternate between stressed and unstressed D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Three syllables: first stressed, then two unstressed B) Two syllables: first stressed, then unstressed C) Five syllables: alternating stressed and unstressed D) Ten syllables: which make up a line of the play
A) Mustardseed B) Hippolyta C) Bottom D) Hermia E) Titania
A) Titania B) Puck C) Hippolyta D) Helena E) Hermia
A) Bottom B) Egeus C) Theseus D) Oberon E) Puck
A) Oxymoron B) Genre C) Alliteration D) Conflict E) Soliloquy
A) Alliteration B) Soliloquy C) Imagery D) Genre E) Double Entendre
A) Conflict B) Resolution C) Double Entendre D) Soliloquy E) Alliteration
A) Contrast B) Metaphor C) Hyperbole D) Symbol E) Simile
A) Soliloquy B) Double Entendre C) Oxymoron D) Simile E) Hyperbole
A) Puck distributes the love potion B) Titania gives up the boy to Oberon C) Theseus plans to marry Hippolyta D) Demetrius and Lysander both fall in love with Helena
A) Bottom turns into a donkey B) Egeus protests his daughter's marriage with Theseus C) Hermia and Helena get into a big fight D) The actors put on a play
A) The men B) The actors C) The fairies D) The ladies
A) A character echos sounds effects from the background B) A characters is a rock for someone to sit on C) A character pretends to be a tree to provide shade D) A character plays a wall separating lovers
A) The undefended, who end up marrying he who conquered them B) The children, who must abide by the decisions of their parents C) The fairies, who are disregarded as meaningless and ineffective D) The ladies, who have no power of decision E) The actors, who are at the mercy of their audience |