A) Lovers working out their relationships B) The fairies taking over the land of the mortals C) The actors determining how to put on their play D) The king conquering a new land
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line had ten syllables, which start with unstressed and alternate with stressed
A) Ten syllables: which make up a line of the play B) Five syllables: alternating stressed and unstressed C) Three syllables: first stressed, then two unstressed D) Two syllables: first stressed, then unstressed
A) Hermia B) Bottom C) Titania D) Hippolyta E) Mustardseed
A) Puck B) Hippolyta C) Hermia D) Titania E) Helena
A) Oberon B) Puck C) Bottom D) Theseus E) Egeus
A) Soliloquy B) Conflict C) Genre D) Oxymoron E) Alliteration
A) Genre B) Soliloquy C) Alliteration D) Imagery E) Double Entendre
A) Resolution B) Soliloquy C) Double Entendre D) Alliteration E) Conflict
A) Simile B) Symbol C) Metaphor D) Hyperbole E) Contrast
A) Hyperbole B) Oxymoron C) Simile D) Soliloquy E) Double Entendre
A) Titania gives up the boy to Oberon B) Puck distributes the love potion C) Theseus plans to marry Hippolyta D) Demetrius and Lysander both fall in love with Helena
A) The actors put on a play B) Egeus protests his daughter's marriage with Theseus C) Hermia and Helena get into a big fight D) Bottom turns into a donkey
A) The ladies B) The fairies C) The actors D) The men
A) A character plays a wall separating lovers B) A character echos sounds effects from the background C) A characters is a rock for someone to sit on D) A character pretends to be a tree to provide shade
A) The fairies, who are disregarded as meaningless and ineffective B) The children, who must abide by the decisions of their parents C) The ladies, who have no power of decision D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |