A) Lovers working out their relationships B) The fairies taking over the land of the mortals C) The king conquering a new land D) The actors determining how to put on their play
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line has a steady rhythm which is mostly consistent depending on the character C) Each line alternates between stressed and unstressed, no matter how many syllables D) Each line had ten syllables, which start with unstressed and alternate with stressed
A) Ten syllables: which make up a line of the play B) Five syllables: alternating stressed and unstressed C) Two syllables: first stressed, then unstressed D) Three syllables: first stressed, then two unstressed
A) Hippolyta B) Hermia C) Mustardseed D) Bottom E) Titania
A) Hippolyta B) Titania C) Puck D) Hermia E) Helena
A) Theseus B) Oberon C) Egeus D) Puck E) Bottom
A) Oxymoron B) Alliteration C) Genre D) Soliloquy E) Conflict
A) Double Entendre B) Genre C) Soliloquy D) Imagery E) Alliteration
A) Soliloquy B) Resolution C) Double Entendre D) Alliteration E) Conflict
A) Simile B) Hyperbole C) Metaphor D) Symbol E) Contrast
A) Double Entendre B) Simile C) Hyperbole D) Soliloquy E) Oxymoron
A) Demetrius and Lysander both fall in love with Helena B) Titania gives up the boy to Oberon C) Theseus plans to marry Hippolyta D) Puck distributes the love potion
A) The actors put on a play B) Hermia and Helena get into a big fight C) Egeus protests his daughter's marriage with Theseus D) Bottom turns into a donkey
A) The fairies B) The ladies C) The actors D) The men
A) A character echos sounds effects from the background B) A character plays a wall separating lovers C) A characters is a rock for someone to sit on D) A character pretends to be a tree to provide shade
A) The children, who must abide by the decisions of their parents B) The ladies, who have no power of decision C) The undefended, who end up marrying he who conquered them D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |